Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 101
... experience but one requiring skill , based on having seen many performances in the past , and having thought , discussed , and read about them . One has to learn how to experience the dramatic illusion with full intensity . Toying with ...
... experience but one requiring skill , based on having seen many performances in the past , and having thought , discussed , and read about them . One has to learn how to experience the dramatic illusion with full intensity . Toying with ...
Seite 106
... experience , " narrative literature with a “ virtual past ” or a “ virtual memory , " and drama , because of its constant orienta- tion toward what will happen next , a “ virtual future . " + Even music provides us with a “ virtual time ...
... experience , " narrative literature with a “ virtual past ” or a “ virtual memory , " and drama , because of its constant orienta- tion toward what will happen next , a “ virtual future . " + Even music provides us with a “ virtual time ...
Seite 107
... experience that object or event . Freud's view of the artistic experience , based in his book , Jokes and Their Relation to the Unconscious , and expanded by theorists like Ernst Kris and Ernest Jones , is profound in its insight ...
... experience that object or event . Freud's view of the artistic experience , based in his book , Jokes and Their Relation to the Unconscious , and expanded by theorists like Ernst Kris and Ernest Jones , is profound in its insight ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York