Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 21
... fact that Falstaff is an unofficial but strongly influential advisor to a prince shows Shakespeare drawing upon political codes of his time , when there was a wealth of writing on the proper behavior of a ruler , and the role of his ...
... fact that Falstaff is an unofficial but strongly influential advisor to a prince shows Shakespeare drawing upon political codes of his time , when there was a wealth of writing on the proper behavior of a ruler , and the role of his ...
Seite 50
... fact that tragedy may have had its earliest origins in a fertility rite tells us nothing very important about a full - fledged , sophisticated literary work like Sophocles ' Oedipus the King . ( And using fertility rites as the basis ...
... fact that tragedy may have had its earliest origins in a fertility rite tells us nothing very important about a full - fledged , sophisticated literary work like Sophocles ' Oedipus the King . ( And using fertility rites as the basis ...
Seite 72
... fact verifies their theory . In general , it is a sign of a strong identity to be able to put it aside for a time ; a person who is secure in the role of parent , for example , has no difficulty in joking and playing casually with his ...
... fact verifies their theory . In general , it is a sign of a strong identity to be able to put it aside for a time ; a person who is secure in the role of parent , for example , has no difficulty in joking and playing casually with his ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York