Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 47
... feel that there is nothing framing our illusory lives at all . In the modern political drama of the epic theatre of Brecht and Piscator and their followers , there is still a feeling that a " true " reality is possible , a better ...
... feel that there is nothing framing our illusory lives at all . In the modern political drama of the epic theatre of Brecht and Piscator and their followers , there is still a feeling that a " true " reality is possible , a better ...
Seite 70
... feel about identity is the same as that which we feel about sexual matters generally . The " anti - theatrical prejudice " is an expression of this ambivalence . This is the reason that moral philosophers have always been made uneasy by ...
... feel about identity is the same as that which we feel about sexual matters generally . The " anti - theatrical prejudice " is an expression of this ambivalence . This is the reason that moral philosophers have always been made uneasy by ...
Seite 169
... feel more guilty than fulfilled ones ; the undischarged psychic energy of the desire turns inward , against the self . This is the case with Solness . He is not at all guilt - ridden about his sexual affair with Kaja , but feels ...
... feel more guilty than fulfilled ones ; the undischarged psychic energy of the desire turns inward , against the self . This is the case with Solness . He is not at all guilt - ridden about his sexual affair with Kaja , but feels ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York