Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 20
Seite 32
... final section of this book , since this type is broader and subtler than the more overt ones . Serious drama , again , always moves toward the metadramatic , and beyond that , toward the theme of human perception , via the drama ...
... final section of this book , since this type is broader and subtler than the more overt ones . Serious drama , again , always moves toward the metadramatic , and beyond that , toward the theme of human perception , via the drama ...
Seite 129
... final time , after having put out his eyes , the chorus , aghast , cries , " This is a terrible sight for men to see ! . . . I cannot / look at you , though there's much I want to ask / and much to learn and much to see . / I shudder at ...
... final time , after having put out his eyes , the chorus , aghast , cries , " This is a terrible sight for men to see ! . . . I cannot / look at you , though there's much I want to ask / and much to learn and much to see . / I shudder at ...
Seite 162
... final scene , the Captain draws his revolver on these maddening females ; it is a phallic symbol , a symbol of technology , and a symbol of assertiveness , all in one . But , like the gasoline that disappeared from our cars , the ...
... final scene , the Captain draws his revolver on these maddening females ; it is a phallic symbol , a symbol of technology , and a symbol of assertiveness , all in one . But , like the gasoline that disappeared from our cars , the ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York