Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 35
... framed type of play , they are more conventional than metadramatic . The characters in the outer play acknowledge the existence of such inset pieces , but they do not acknowledge them as performance . The theatre audience accepts such ...
... framed type of play , they are more conventional than metadramatic . The characters in the outer play acknowledge the existence of such inset pieces , but they do not acknowledge them as performance . The theatre audience accepts such ...
Seite 36
... framed play within the play as a stock convention . In many of these plays , a traveler encounters the hero in the form of a ghost , who proceeds to act out in dramatic form the story of his earthly life . This framed enactment becomes ...
... framed play within the play as a stock convention . In many of these plays , a traveler encounters the hero in the form of a ghost , who proceeds to act out in dramatic form the story of his earthly life . This framed enactment becomes ...
Seite 44
... framing may not be found in the script , but in performance only ; indeed the framed play may be a traditional one from a historical period . A prototype might be the Russian director Eugene Vakhtangov's production of Carlo Gozzi's ...
... framing may not be found in the script , but in performance only ; indeed the framed play may be a traditional one from a historical period . A prototype might be the Russian director Eugene Vakhtangov's production of Carlo Gozzi's ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York