Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 17
... given earlier , the underlying , unstated system of grammar , syntax , and semantics that speakers and listeners must master in order to make or understand individual utterances ( parole ) . Frye's system is the underlying langue that ...
... given earlier , the underlying , unstated system of grammar , syntax , and semantics that speakers and listeners must master in order to make or understand individual utterances ( parole ) . Frye's system is the underlying langue that ...
Seite 35
... given a name ( Gower ) , and comments repeatedly on the action ( rather than just at the beginning , or beginning and end ) , sometimes describing events while the characters act them out simultaneously in dumb show . Or- dinarily ...
... given a name ( Gower ) , and comments repeatedly on the action ( rather than just at the beginning , or beginning and end ) , sometimes describing events while the characters act them out simultaneously in dumb show . Or- dinarily ...
Seite 69
... given to royalty , there is an underlying feeling that they are unstable , childish individuals , given to emo- tional breakdowns , drug taking , and sexual promiscuity . In the past , not only silly prudes but major philosophers , such ...
... given to royalty , there is an underlying feeling that they are unstable , childish individuals , given to emo- tional breakdowns , drug taking , and sexual promiscuity . In the past , not only silly prudes but major philosophers , such ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York