Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 18
... happened , the film succeeded not because of its " accuracy , " but rather because those characters and events happened to fit the standard pattern of the detective story . ) The author , as he writes , is not checking the episodes ...
... happened , the film succeeded not because of its " accuracy , " but rather because those characters and events happened to fit the standard pattern of the detective story . ) The author , as he writes , is not checking the episodes ...
Seite 53
... happening . And further , since what is always happening is ever - accessible , the illud tempus has the potential to be , at any moment , among us . " Religious ritual , according to Cole , always relates its central event to this ...
... happening . And further , since what is always happening is ever - accessible , the illud tempus has the potential to be , at any moment , among us . " Religious ritual , according to Cole , always relates its central event to this ...
Seite 81
... happened . Bertolt Brecht , in The Good Person of Setzuan , created a woman , Shen Te , who takes on the identity of a man , Shui Ta . Unlike Shakespeare's heroines who do the same , however , this split character seems to have no ...
... happened . Bertolt Brecht , in The Good Person of Setzuan , created a woman , Shen Te , who takes on the identity of a man , Shui Ta . Unlike Shakespeare's heroines who do the same , however , this split character seems to have no ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York