Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 32
Seite 68
... human identity . Identity theory is a major area of modern psychoanalysis . Indeed , although the popular view of psychoanalysis still focuses on the repressed desires of the unconscious mind , as Freud did in his early work , " ego ...
... human identity . Identity theory is a major area of modern psychoanalysis . Indeed , although the popular view of psychoanalysis still focuses on the repressed desires of the unconscious mind , as Freud did in his early work , " ego ...
Seite 70
... human beings have to learn , and the learning is an inherently painful process . Freud wrote that " the tendency arises to dissociate from the ego everything which can give rise to pain , to cast it out and create a pure pleasure - ego ...
... human beings have to learn , and the learning is an inherently painful process . Freud wrote that " the tendency arises to dissociate from the ego everything which can give rise to pain , to cast it out and create a pure pleasure - ego ...
Seite 174
... human beings as if they were butterlies pinned to a board . Maurice Merleau - Ponty , the French phe- nomenologist , wrote : Science manipulates things and gives up living in them . It makes its own limited models of things ; operating ...
... human beings as if they were butterlies pinned to a board . Maurice Merleau - Ponty , the French phe- nomenologist , wrote : Science manipulates things and gives up living in them . It makes its own limited models of things ; operating ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York