Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 68
... identity . Identity theory is a major area of modern psychoanalysis . Indeed , although the popular view of psychoanalysis still focuses on the repressed desires of the unconscious mind , as Freud did in his early work , " ego ...
... identity . Identity theory is a major area of modern psychoanalysis . Indeed , although the popular view of psychoanalysis still focuses on the repressed desires of the unconscious mind , as Freud did in his early work , " ego ...
Seite 71
... identity , they would be unable to function or even survive , but to be unable ever to let down the mask of one's identity would be equally bad , since , as already noted , life requires us continually to redefine our identities ...
... identity , they would be unable to function or even survive , but to be unable ever to let down the mask of one's identity would be equally bad , since , as already noted , life requires us continually to redefine our identities ...
Seite 78
... identity would have been seen in Shakespeare's time as a result of man's fallen state ; in the Garden of Eden , presumably , everybody's outward identity would have accurately reflected his soul , but since then , one had better be ...
... identity would have been seen in Shakespeare's time as a result of man's fallen state ; in the Garden of Eden , presumably , everybody's outward identity would have accurately reflected his soul , but since then , one had better be ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York