Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Ergebnisse 1-3 von 21
Seite 46
... illusion into question , because there is very little illusion in the first place ; instead of being absorbed in an imaginary world , the audience has its attention on comparing what it sees with the work or works being parodied . In ...
... illusion into question , because there is very little illusion in the first place ; instead of being absorbed in an imaginary world , the audience has its attention on comparing what it sees with the work or works being parodied . In ...
Seite 101
... illusion to break . Furthermore , with literary reference , tha audience must have a fair degree of literary and theatrical sophistication ; it is impressive , for example , that Aristophanes could count on his audience of thousands of ...
... illusion to break . Furthermore , with literary reference , tha audience must have a fair degree of literary and theatrical sophistication ; it is impressive , for example , that Aristophanes could count on his audience of thousands of ...
Seite 116
... illusion ) and background ( the " realities " that define the illusion ) . What happens is that there is a shift in perception that turns the field of thought inside out . What had been background is foregrounded , and vice versa . Note ...
... illusion ) and background ( the " realities " that define the illusion ) . What happens is that there is a shift in perception that turns the field of thought inside out . What had been background is foregrounded , and vice versa . Note ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York