Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 50
... importance of rituals in drama that are not shadowy and ancient , but overt and contemporary , as an important part of the drama / culture complex . Structuralists have applied the term " genetic fallacy " to attempts to explain ...
... importance of rituals in drama that are not shadowy and ancient , but overt and contemporary , as an important part of the drama / culture complex . Structuralists have applied the term " genetic fallacy " to attempts to explain ...
Seite 52
... important process of becoming a learned person . The ceremony also confirms for us the importance of learning , and the importance of the college or university as a cultural institution . Every time a ceremony is performed , it is a ...
... important process of becoming a learned person . The ceremony also confirms for us the importance of learning , and the importance of the college or university as a cultural institution . Every time a ceremony is performed , it is a ...
Seite 100
... important as a type of metadrama than the other types . Such usages are rarely metadramatic , and even when they are , the metadramatic impact varies with time , and even from audience member to audience member . Nevertheless , the ...
... important as a type of metadrama than the other types . Such usages are rarely metadramatic , and even when they are , the metadramatic impact varies with time , and even from audience member to audience member . Nevertheless , the ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York