Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 17
... individual works . Instead , Frye was doing something very different : for him the relationship of the individual work to the overall literary system is like that of parole to langue in Saussure's structuralist linguistics . Langue is ...
... individual works . Instead , Frye was doing something very different : for him the relationship of the individual work to the overall literary system is like that of parole to langue in Saussure's structuralist linguistics . Langue is ...
Seite 71
... individual and for society . Just as the individual must revise his identity at crucial times throughout his lifetime , so too must a dynamic society frequently revise the way in which it wants its members to play roles . The roles of ...
... individual and for society . Just as the individual must revise his identity at crucial times throughout his lifetime , so too must a dynamic society frequently revise the way in which it wants its members to play roles . The roles of ...
Seite 104
... individual performer rather than to the play as a whole . In the example given above , the actor playing Prince Hal does not reveal his real - life identity but , continuing to speak as Hal , refers to the dramatic action of which he ...
... individual performer rather than to the play as a whole . In the example given above , the actor playing Prince Hal does not reveal his real - life identity but , continuing to speak as Hal , refers to the dramatic action of which he ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York