Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 33
... inner play is primary , with the outer play a framing device , like the Sly episodes in Shakespeare's The Taming of ... inner or the outer , was primary . With both the inset and the framed types , the degree of connection between the ...
... inner play is primary , with the outer play a framing device , like the Sly episodes in Shakespeare's The Taming of ... inner or the outer , was primary . With both the inset and the framed types , the degree of connection between the ...
Seite 34
... inner performance there stands more apart than it does here . With the framed type of play within the play , the outer , framing play can be strongly integrated with the inner play . In George Peele's Elizabethan play The Old Wives ...
... inner performance there stands more apart than it does here . With the framed type of play within the play , the outer , framing play can be strongly integrated with the inner play . In George Peele's Elizabethan play The Old Wives ...
Seite 43
... inner and outer play been previously unknown ; the death of the Boy at the end of Six Characters , for example , which destroys the boundary between the inner and the outer play , is prefigured by the deaths in Soliman and Perseda , the ...
... inner and outer play been previously unknown ; the death of the Boy at the end of Six Characters , for example , which destroys the boundary between the inner and the outer play , is prefigured by the deaths in Soliman and Perseda , the ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York