Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 82
... interesting of which is Hamm , the protagonist of Endgame , who is apparently carrying on a running performance all during the play ; his opening line is “ Me — to play , ” and from time to time he comments on his own delivery , saying ...
... interesting of which is Hamm , the protagonist of Endgame , who is apparently carrying on a running performance all during the play ; his opening line is “ Me — to play , ” and from time to time he comments on his own delivery , saying ...
Seite 84
... interesting to consider what has happened to the notion of role playing in the practical theatre . As Jonas Barish has noted , the anti - theatrical prejudice has carried over into the theatre itself in modern times . Theorists of ...
... interesting to consider what has happened to the notion of role playing in the practical theatre . As Jonas Barish has noted , the anti - theatrical prejudice has carried over into the theatre itself in modern times . Theorists of ...
Seite 144
... interesting point , that psychological time , which is time as we actually experience it , is not really determined by the clock . In fact , she says , “ Time travels in divers paces with divers persons " ( 293–94 ) . She goes on to ...
... interesting point , that psychological time , which is time as we actually experience it , is not really determined by the clock . In fact , she says , “ Time travels in divers paces with divers persons " ( 293–94 ) . She goes on to ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York