Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 108
... intuitive thinking . Secondary process thought , or rational thinking , may be involved as well , since we should not think of the two processes as being inevitably locked in bitter opposition but rather as ordinarily operating in ...
... intuitive thinking . Secondary process thought , or rational thinking , may be involved as well , since we should not think of the two processes as being inevitably locked in bitter opposition but rather as ordinarily operating in ...
Seite 114
... intuition ) , science is right . The earth is a sphere , even though it seems flat ; matter is made up of molecules ... intuitive foreground set against numerous logical backgrounds . The foreground is pleasurable , easy , fun ; the ...
... intuition ) , science is right . The earth is a sphere , even though it seems flat ; matter is made up of molecules ... intuitive foreground set against numerous logical backgrounds . The foreground is pleasurable , easy , fun ; the ...
Seite 149
... intuitive reasons at first , to be a better beginning than that of most other versions , which start with the scene with Woyzeck and Andres in the open field . The latter scene has Woyzeck imagining strange , apocalyptic sights and ...
... intuitive reasons at first , to be a better beginning than that of most other versions , which start with the scene with Woyzeck and Andres in the open field . The latter scene has Woyzeck imagining strange , apocalyptic sights and ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York