Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 35
Seite 49
... kind of party or festive ritual , which either appears at the end of the play or is assumed to take place ... kind . Ceremonies are so widespread in drama that a full historical cata- loguing would be impossible . Like the play within ...
... kind of party or festive ritual , which either appears at the end of the play or is assumed to take place ... kind . Ceremonies are so widespread in drama that a full historical cata- loguing would be impossible . Like the play within ...
Seite 81
... kind of cynicism about life in general that is found in modern drama is also found about identity . In this regard , characters who exhibit elusion and ontological insecurity occur in abundance . Shaw , who usually wrote in the Comedy ...
... kind of cynicism about life in general that is found in modern drama is also found about identity . In this regard , characters who exhibit elusion and ontological insecurity occur in abundance . Shaw , who usually wrote in the Comedy ...
Seite 173
... kind of abstract idea or theory . . . . When a character cannot be comfortably defined or understood in terms of the familiar , the tendency is to perch him on a symbolic shelf , out of harm's way . Once there , he can be talked about ...
... kind of abstract idea or theory . . . . When a character cannot be comfortably defined or understood in terms of the familiar , the tendency is to perch him on a symbolic shelf , out of harm's way . Once there , he can be talked about ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York