Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 70
... later it detaches from itself the exter- nal world . The ego - feeling we are aware of now is thus only a shrunken vestige of a far more extensive feeling — a feeling which embraced the uni- verse . 6 There are times in our later life ...
... later it detaches from itself the exter- nal world . The ego - feeling we are aware of now is thus only a shrunken vestige of a far more extensive feeling — a feeling which embraced the uni- verse . 6 There are times in our later life ...
Seite 134
... later comedies , however , as in the tragedies , the taint in perception often comes at least partly from within the characters themselves . The foolish suitors , Morocco and Arragon , in The Merchant of Venice , wrongly choose the ...
... later comedies , however , as in the tragedies , the taint in perception often comes at least partly from within the characters themselves . The foolish suitors , Morocco and Arragon , in The Merchant of Venice , wrongly choose the ...
Seite 149
... later . What we have may be only an extended outline . The usual approach to producing Woyzeck is to construct — one cannot even say reconstruct - what the playscript might have been if Büchner had finished it . A logical place to start ...
... later . What we have may be only an extended outline . The usual approach to producing Woyzeck is to construct — one cannot even say reconstruct - what the playscript might have been if Büchner had finished it . A logical place to start ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York