Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 59
... live , had not God created Man for their use ? How should the tailor live had not God endowed Man with the need to slaughter himself ? And therefore doubt ye not , for all things are lovely and sweet ! Yet the world with all its things ...
... live , had not God created Man for their use ? How should the tailor live had not God endowed Man with the need to slaughter himself ? And therefore doubt ye not , for all things are lovely and sweet ! Yet the world with all its things ...
Seite 99
... live presence , " stressing the actuality of the living , breathing , sweating actors in contrast to the cold , dead actuality of the printed page . In fact , the essential thing about live performance is not so much a presence , as an ...
... live presence , " stressing the actuality of the living , breathing , sweating actors in contrast to the cold , dead actuality of the printed page . In fact , the essential thing about live performance is not so much a presence , as an ...
Seite 159
... live in town ; you want her to live at home . The mathematical mean would be for her to stop at the railway station , midway between home and town . You see ? It's a deadlock . ( 16-17 ) The witticism is excessively logical and ...
... live in town ; you want her to live at home . The mathematical mean would be for her to stop at the railway station , midway between home and town . You see ? It's a deadlock . ( 16-17 ) The witticism is excessively logical and ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York