Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 59
... look foolish because of obvious unreality of the depiction , or vulgar if the illusion were successful ) , restraint was extended by the French to prohibit almost all overt action . A result is that full - scale ceremonies on stage are ...
... look foolish because of obvious unreality of the depiction , or vulgar if the illusion were successful ) , restraint was extended by the French to prohibit almost all overt action . A result is that full - scale ceremonies on stage are ...
Seite 151
... look next ; an audience area could suddenly become an acting area , and vice versa . In watching the pro- gression of scenes , it was not only necessary to turn 360 degrees ; one also had to look up and down on various levels ; there ...
... look next ; an audience area could suddenly become an acting area , and vice versa . In watching the pro- gression of scenes , it was not only necessary to turn 360 degrees ; one also had to look up and down on various levels ; there ...
Seite 174
... look like , confuses a 7 for a 9 in his own diary , forgets that it is Christmas day , cannot determine who impregnated the patient , does not know what the weather is like outside . His only contact with the patients before they murder ...
... look like , confuses a 7 for a 9 in his own diary , forgets that it is Christmas day , cannot determine who impregnated the patient , does not know what the weather is like outside . His only contact with the patients before they murder ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York