Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 55
... means for examining ceremony , and thus for questioning supposedly eternal verities . Theatre is particularly suited to doing this , since both theatre and ceremony are performance media ; it is easy to incorporate a ceremony within a ...
... means for examining ceremony , and thus for questioning supposedly eternal verities . Theatre is particularly suited to doing this , since both theatre and ceremony are performance media ; it is easy to incorporate a ceremony within a ...
Seite 63
... means of ordering and understanding life , have become a meaningless substitute for it . Yet the fact that such avant - garde works are asocial , functioning for the individual in isolation only , raises grave problems . It means that ...
... means of ordering and understanding life , have become a meaningless substitute for it . Yet the fact that such avant - garde works are asocial , functioning for the individual in isolation only , raises grave problems . It means that ...
Seite 64
... means for understanding and dealing with it . Shakespeare's Richard II provides an example of this . Certainly the play comes down strongly in favor of the divine right of kings and vehemently against deposition and assassination . The ...
... means for understanding and dealing with it . Shakespeare's Richard II provides an example of this . Certainly the play comes down strongly in favor of the divine right of kings and vehemently against deposition and assassination . The ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York