Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 25
... merely reflecting reality in a point - blank manner . The ingenuousness of this theory is the same as that of the traditional , naive view of language , which was also seen as merely describing reality in a simple , one - to - one ...
... merely reflecting reality in a point - blank manner . The ingenuousness of this theory is the same as that of the traditional , naive view of language , which was also seen as merely describing reality in a simple , one - to - one ...
Seite 51
... merely irresponsive.4 In place of pleasure - giving or pragmatic theories of primitive ceremony , modern anthropologists have substituted a semiological theory : Ceremonies always convey meaning . They contain encoded signs by which ...
... merely irresponsive.4 In place of pleasure - giving or pragmatic theories of primitive ceremony , modern anthropologists have substituted a semiological theory : Ceremonies always convey meaning . They contain encoded signs by which ...
Seite 159
... merely a pawn in her game with her husband . The nature of this game is made clear from their very first scene together . Masculine and feminine principles , reason and intuition ( Freud's secondary and primary process thinking ) ...
... merely a pawn in her game with her husband . The nature of this game is made clear from their very first scene together . Masculine and feminine principles , reason and intuition ( Freud's secondary and primary process thinking ) ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York