Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 16
... nature " ( 3.2.20-21 ) , * familiar yet perplexing . Holding the mirror up to nature sounds Stanislavskian , yet the dramatic speeches that the players , and Hamlet himself , actually perform seem antirealistic to an extreme , the kind ...
... nature " ( 3.2.20-21 ) , * familiar yet perplexing . Holding the mirror up to nature sounds Stanislavskian , yet the dramatic speeches that the players , and Hamlet himself , actually perform seem antirealistic to an extreme , the kind ...
Seite 144
... nature . On the other hand , time does of course pass in nature , as processes like the movement of the sun across the sky , the changing phases of the moon , and the growth and decay of living organisms , take place . But nature itself ...
... nature . On the other hand , time does of course pass in nature , as processes like the movement of the sun across the sky , the changing phases of the moon , and the growth and decay of living organisms , take place . But nature itself ...
Seite 162
... nature , which seems so yielding , can destroy us with our own force . The atomic bomb , the energy crisis , and the environmental crisis are all examples of this rebound effect ; nature is responding to us as the females in ...
... nature , which seems so yielding , can destroy us with our own force . The atomic bomb , the energy crisis , and the environmental crisis are all examples of this rebound effect ; nature is responding to us as the females in ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York