Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 63
... never becoming integrated into the drama / culture complex , never appealing to large groups of people , and never providing the social cohesion that theatre has created in the past . The function of an avant - garde should be not just ...
... never becoming integrated into the drama / culture complex , never appealing to large groups of people , and never providing the social cohesion that theatre has created in the past . The function of an avant - garde should be not just ...
Seite 81
... never did in adventures that never happened . Bertolt Brecht , in The Good Person of Setzuan , created a woman , Shen Te , who takes on the identity of a man , Shui Ta . Unlike Shakespeare's heroines who do the same , however , this ...
... never did in adventures that never happened . Bertolt Brecht , in The Good Person of Setzuan , created a woman , Shen Te , who takes on the identity of a man , Shui Ta . Unlike Shakespeare's heroines who do the same , however , this ...
Seite 112
... never the principal character , and the events are known to be fictitious . ( A play may be so vivid that its essential artificiality retreats far into the background , but we never forget it entirely , as we do in dreaming . It is ...
... never the principal character , and the events are known to be fictitious . ( A play may be so vivid that its essential artificiality retreats far into the background , but we never forget it entirely , as we do in dreaming . It is ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York