Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 26
... noted that " distinctions which seem inevitable to us may be utterly ignored in languages which reflect an entirely different type of culture , while these in turn insist on distinctions which are all but unintelligible to us . . . . It ...
... noted that " distinctions which seem inevitable to us may be utterly ignored in languages which reflect an entirely different type of culture , while these in turn insist on distinctions which are all but unintelligible to us . . . . It ...
Seite 71
... noted , life requires us continually to redefine our identities . Furthermore , societies themselves change the grounds for role playing from time to time , as seen in our society today , in which the feminist movement is changing the ...
... noted , life requires us continually to redefine our identities . Furthermore , societies themselves change the grounds for role playing from time to time , as seen in our society today , in which the feminist movement is changing the ...
Seite 84
... noted , the anti - theatrical prejudice has carried over into the theatre itself in modern times . Theorists of acting have mounted campaigns against role playing ; the Stanislavskian actor , notes Barish , " undergoes an arduous ...
... noted , the anti - theatrical prejudice has carried over into the theatre itself in modern times . Theorists of acting have mounted campaigns against role playing ; the Stanislavskian actor , notes Barish , " undergoes an arduous ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York