Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 32
... perception , in the final section of this book , since this type is broader and subtler than the more overt ones . Serious drama , again , always moves toward the metadramatic , and beyond that , toward the theme of human perception ...
... perception , in the final section of this book , since this type is broader and subtler than the more overt ones . Serious drama , again , always moves toward the metadramatic , and beyond that , toward the theme of human perception ...
Seite 121
... perception , turns upon itself and becomes about perception . This self - consciousness is , in broad terms , the sixth type of metadrama , more generalized than the others , and less estranging upon the audience , yet of equal ...
... perception , turns upon itself and becomes about perception . This self - consciousness is , in broad terms , the sixth type of metadrama , more generalized than the others , and less estranging upon the audience , yet of equal ...
Seite 156
... perception . " The incompleteness of the script arises from this ambiguity , as do the multiple paradoxes within the script . And just as Woyzeck tries to make sense of the paradoxes of his world , so too did the audience try to make ...
... perception . " The incompleteness of the script arises from this ambiguity , as do the multiple paradoxes within the script . And just as Woyzeck tries to make sense of the paradoxes of his world , so too did the audience try to make ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York