Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 34
... performance , yet it too is an integrated part of the dramatic action , being used directly to mock Malvolio . The play within the play in Hamlet also achieves an aim of one of the characters - to cause Claudius to confess - but that ...
... performance , yet it too is an integrated part of the dramatic action , being used directly to mock Malvolio . The play within the play in Hamlet also achieves an aim of one of the characters - to cause Claudius to confess - but that ...
Seite 99
... performance is not so much a presence , as an absence . The special , magical feeling that we experience in the theatre is the result of our awareness that there is so much that can go wrong , that a performance always teeters on the ...
... performance is not so much a presence , as an absence . The special , magical feeling that we experience in the theatre is the result of our awareness that there is so much that can go wrong , that a performance always teeters on the ...
Seite 179
... performance . Script and performance are not the same thing , nor is either one reducible to the other ; nonetheless , they are intimately connected , a fact that both literary scholars and theatre practitioners have often ignored or ...
... performance . Script and performance are not the same thing , nor is either one reducible to the other ; nonetheless , they are intimately connected , a fact that both literary scholars and theatre practitioners have often ignored or ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York