Drama, Metadrama and Perception |
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Seite 34
( 2.3.93–103 ) а go Here the song , like the Bleeding Sergeant's speech , is recognizably an inset performance , yet it too is an integrated part of the dramatic action , being used directly to mock Malvolio .
( 2.3.93–103 ) а go Here the song , like the Bleeding Sergeant's speech , is recognizably an inset performance , yet it too is an integrated part of the dramatic action , being used directly to mock Malvolio .
Seite 99
In fact , the essential thing about live performance is not so much a presence , as an absence . The special , magical feeling that we experience in the theatre is the result of our awareness that there is so much that can go wrong ...
In fact , the essential thing about live performance is not so much a presence , as an absence . The special , magical feeling that we experience in the theatre is the result of our awareness that there is so much that can go wrong ...
Seite 179
13 Afterword a Throughout this book , I have used the term drama ( and metadrama ) to include both playscript and performance . Script and performance are not the same thing , nor is either one reducible to the other ; nonetheless ...
13 Afterword a Throughout this book , I have used the term drama ( and metadrama ) to include both playscript and performance . Script and performance are not the same thing , nor is either one reducible to the other ; nonetheless ...
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Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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