Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 37
... period . As for the framed type of play within the play , many plays in the period employ induc- tions , such as the anonymous Mucedorus ( ca. 1588-98 ) , Drayton's The Merry Devil of Edmonton ( ca. 1599–1604 ) , or Marston's The ...
... period . As for the framed type of play within the play , many plays in the period employ induc- tions , such as the anonymous Mucedorus ( ca. 1588-98 ) , Drayton's The Merry Devil of Edmonton ( ca. 1599–1604 ) , or Marston's The ...
Seite 38
... period , with the actors on the thrust taking part in the inner play , and those above in the outer . This would have worked for either the framed type of play , with the people above forming the frame , like Sly and his deceivers ...
... period , with the actors on the thrust taking part in the inner play , and those above in the outer . This would have worked for either the framed type of play , with the people above forming the frame , like Sly and his deceivers ...
Seite 64
... period becomes a means for understanding and dealing with it . Shakespeare's Richard II provides an example of this ... period of the late nineteenth and early twentieth centuries — all accompanied periods of change from a society based ...
... period becomes a means for understanding and dealing with it . Shakespeare's Richard II provides an example of this ... period of the late nineteenth and early twentieth centuries — all accompanied periods of change from a society based ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York