Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 72
... person who is secure in the role of parent , for example , has no difficulty in joking and playing casually with his children , knowing that he can easily reassert his authority if it should become necessary . It is the insecure parent ...
... person who is secure in the role of parent , for example , has no difficulty in joking and playing casually with his children , knowing that he can easily reassert his authority if it should become necessary . It is the insecure parent ...
Seite 95
... person he has known , but whom the audience does not , or , conversely , on a person who is so well - known and frequently depicted that referring to him produces no disruption . The character of Willy Loman in Arthur Miller's Death of ...
... person he has known , but whom the audience does not , or , conversely , on a person who is so well - known and frequently depicted that referring to him produces no disruption . The character of Willy Loman in Arthur Miller's Death of ...
Seite 122
... persons . ' Nevertheless , subsequent critics have interpreted dramatic recognition in a more profound sense , such as ... person doing to recognizing , however , so that the act of recognition actually reveals something important about ...
... persons . ' Nevertheless , subsequent critics have interpreted dramatic recognition in a more profound sense , such as ... person doing to recognizing , however , so that the act of recognition actually reveals something important about ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York