Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 32
... playwrights tend to be more consciously metadramatic than ordinary ones , and their plays to employ metadramatic devices more obviously , because the great playwright conceives his mission to be one of altering the norms and standards ...
... playwrights tend to be more consciously metadramatic than ordinary ones , and their plays to employ metadramatic devices more obviously , because the great playwright conceives his mission to be one of altering the norms and standards ...
Seite 42
... playwright with the opportunity to examine the function of theatre , the per- former , and the artist generally , also became a major type of twentieth - century metadrama . It is found extraordinarily often even in popular theatre ...
... playwright with the opportunity to examine the function of theatre , the per- former , and the artist generally , also became a major type of twentieth - century metadrama . It is found extraordinarily often even in popular theatre ...
Seite 96
... playwright alters him somewhat , including changing his name . The pièce à clef is probably no less common than the roman à clef . J. Pierpont Morgan becomes " Pierpont Mauler , ” John Wanamaker and John D. Rockefeller are telescoped ...
... playwright alters him somewhat , including changing his name . The pièce à clef is probably no less common than the roman à clef . J. Pierpont Morgan becomes " Pierpont Mauler , ” John Wanamaker and John D. Rockefeller are telescoped ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York