Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 32
... possible varieties of conscious or overt metadrama are as follows : 1. The play within the play . 2. The ceremony within the play . 3. Role playing within the role . 4. Literary and real - life reference . 5. Self reference . I shall ...
... possible varieties of conscious or overt metadrama are as follows : 1. The play within the play . 2. The ceremony within the play . 3. Role playing within the role . 4. Literary and real - life reference . 5. Self reference . I shall ...
Seite 97
... possible to introduce reality into any literary or artistic work ; Braque and Picasso , for example , would paste bits of real objects , such as a matchbook cover , a rag , a piece of newspaper , or a torn playing card , into the midst ...
... possible to introduce reality into any literary or artistic work ; Braque and Picasso , for example , would paste bits of real objects , such as a matchbook cover , a rag , a piece of newspaper , or a torn playing card , into the midst ...
Seite 111
... possible , and are indeed happening all the time . Our fields of thinking about space and time obviously change as we move through space , or with the passage of time . Our fields of thought can also be redefined , by being either ...
... possible , and are indeed happening all the time . Our fields of thinking about space and time obviously change as we move through space , or with the passage of time . Our fields of thought can also be redefined , by being either ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York