Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 99
... present " than any other art form ; that is , it is no more inherently vivid or exciting . Unlike other forms , theatre is of course literally present , but if literal presence were inherently stimulating , then a Rotary Club speaker ...
... present " than any other art form ; that is , it is no more inherently vivid or exciting . Unlike other forms , theatre is of course literally present , but if literal presence were inherently stimulating , then a Rotary Club speaker ...
Seite 114
... present in our own experience of the play , which could not exist without them , just as a game could not exist without rules or a language without grammar . By setting off and defining the play's area of playfulness , the serious ...
... present in our own experience of the play , which could not exist without them , just as a game could not exist without rules or a language without grammar . By setting off and defining the play's area of playfulness , the serious ...
Seite 150
... present ; a standard framework sets up expectations which are then not met . The difficulty with Büchner's music today , however , is that none of our audience would have been familiar with the original tunes , or even their overall ...
... present ; a standard framework sets up expectations which are then not met . The difficulty with Büchner's music today , however , is that none of our audience would have been familiar with the original tunes , or even their overall ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York