Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 148
... production season of the Drama Department there . Since this German late Romantic play is deeply concerned with problems of perception , I was naturally delighted to have the opportunity to deal with it in performance . What follows ...
... production season of the Drama Department there . Since this German late Romantic play is deeply concerned with problems of perception , I was naturally delighted to have the opportunity to deal with it in performance . What follows ...
Seite 149
... production that would not have bogged down in scene shifts . Indeed , many of the shifts would have lasted longer than the scenes themselves . But then , again , we are not dealing with a completed playscript ; perhaps the staccato ...
... production that would not have bogged down in scene shifts . Indeed , many of the shifts would have lasted longer than the scenes themselves . But then , again , we are not dealing with a completed playscript ; perhaps the staccato ...
Seite 150
... production . It means , rather , that one recognizes that a play is an interrelated process , a delicate web of performance patterns , which must be uncovered and projected into the staging conditions available . The director does not ...
... production . It means , rather , that one recognizes that a play is an interrelated process , a delicate web of performance patterns , which must be uncovered and projected into the staging conditions available . The director does not ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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