Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 69
... provides him with his livelihood , and for which he may have trained and sacrificed for years . Nor does it seem proper to condemn performance as neurotic behavior , when in fact it is highly valued and rewarded in most societies ...
... provides him with his livelihood , and for which he may have trained and sacrificed for years . Nor does it seem proper to condemn performance as neurotic behavior , when in fact it is highly valued and rewarded in most societies ...
Seite 74
... provides an example of externally caused , involuntary role playing : the other characters convince him that he is actually a noble gentleman , who has been asleep for fifteen years , during which time he has presumably dreamed of being ...
... provides an example of externally caused , involuntary role playing : the other characters convince him that he is actually a noble gentleman , who has been asleep for fifteen years , during which time he has presumably dreamed of being ...
Seite 106
... provides us with a “ virtual time , " creating “ an image of time measured by the motion of forms that seem to give ... provide us with the vicarious release of unconscious drives . Because of psycho- logical repression , we cannot often ...
... provides us with a “ virtual time , " creating “ an image of time measured by the motion of forms that seem to give ... provide us with the vicarious release of unconscious drives . Because of psycho- logical repression , we cannot often ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York