Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 95
Richard Hornby. iii Real - life reference is in many ways congruent to literary reference . Real - life reference includes allusions to real persons , living or dead ; real places ; real objects ; real events . As with literary ...
Richard Hornby. iii Real - life reference is in many ways congruent to literary reference . Real - life reference includes allusions to real persons , living or dead ; real places ; real objects ; real events . As with literary ...
Seite 96
... real - life persons or events referred to . There is no disruption , because there is nothing to disrupt . Aristophanes , however , created a fictive comic world rather than just a series of jokes and jibes , making the real - life ...
... real - life persons or events referred to . There is no disruption , because there is nothing to disrupt . Aristophanes , however , created a fictive comic world rather than just a series of jokes and jibes , making the real - life ...
Seite 97
... real life and those that are not ; the witches in Macbeth , based on folklore , seem just as tangible and vivid as Macbeth himself , based on a real Scottish king . As I have stressed , the mimetic approach looks at the problem of real life ...
... real life and those that are not ; the witches in Macbeth , based on folklore , seem just as tangible and vivid as Macbeth himself , based on a real Scottish king . As I have stressed , the mimetic approach looks at the problem of real life ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York