Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 47
Seite 22
... reality . A play is " about " drama as a whole , and more broadly , about culture as a whole ; this drama / culture complex is “ about ” reality not in the passive sense of merely reflecting it , but in the active sense of providing a ...
... reality . A play is " about " drama as a whole , and more broadly , about culture as a whole ; this drama / culture complex is “ about ” reality not in the passive sense of merely reflecting it , but in the active sense of providing a ...
Seite 97
... reality " were truly the essential thing about a play , the " real " elements would be a distraction from rather than an enhancement of what takes place on stage . Experiencing Antoine's beef carcasses as real destroys the dramatic ...
... reality " were truly the essential thing about a play , the " real " elements would be a distraction from rather than an enhancement of what takes place on stage . Experiencing Antoine's beef carcasses as real destroys the dramatic ...
Seite 113
... Reality ” is always the defining background of the dramatic illusion . The concept should not be limited to the mere physical reality of the theatre building , but extended to all the cultural realities that bring the play into ...
... Reality ” is always the defining background of the dramatic illusion . The concept should not be limited to the mere physical reality of the theatre building , but extended to all the cultural realities that bring the play into ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York