Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 50
... reason : a Greek tragedy is not a fertility rite . ) It is far more important to consider what a dramatic form has ... reasons behind the widespread use of ceremony in drama , one must first understand the importance of ceremony itself ...
... reason : a Greek tragedy is not a fertility rite . ) It is far more important to consider what a dramatic form has ... reasons behind the widespread use of ceremony in drama , one must first understand the importance of ceremony itself ...
Seite 70
... reason that moral philosophers have always been made uneasy by theatre , and also the reason that actors , in addition to being castigated for playing with their identities , are popularly characterized as being libidinous . We ...
... reason that moral philosophers have always been made uneasy by theatre , and also the reason that actors , in addition to being castigated for playing with their identities , are popularly characterized as being libidinous . We ...
Seite 117
... reason to wear them . They have no function . Nor do our gestures have a function , that is , to signify something to you.16 The " play " goes on in this haranguing manner for some twenty - eight pages , or roughly an hour of ...
... reason to wear them . They have no function . Nor do our gestures have a function , that is , to signify something to you.16 The " play " goes on in this haranguing manner for some twenty - eight pages , or roughly an hour of ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York