Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 13
... recognize this realistic / anti- realistic polarity as a kind of binary opposition , a pattern that is fundamental to all human thought . All cultures view the world through polarities : up and down , good and bad , male and female ...
... recognize this realistic / anti- realistic polarity as a kind of binary opposition , a pattern that is fundamental to all human thought . All cultures view the world through polarities : up and down , good and bad , male and female ...
Seite 88
... recognizes the literary allusion as such . When they do recognize it , the result is like an inset type of play within the play in miniature ; the imaginary world of the main play is disrupted by a reminder of its relation , as a ...
... recognizes the literary allusion as such . When they do recognize it , the result is like an inset type of play within the play in miniature ; the imaginary world of the main play is disrupted by a reminder of its relation , as a ...
Seite 122
... recognize someone by his strawberry birthmark is not metadramatic in this final sense unless attention somehow is called to the act of recognition itself . If the focus is on the person , thing , or concept being recognized , then the ...
... recognize someone by his strawberry birthmark is not metadramatic in this final sense unless attention somehow is called to the act of recognition itself . If the focus is on the person , thing , or concept being recognized , then the ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York