Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 95
Richard Hornby. iii Real - life reference is in many ways congruent to literary reference . Real - life reference includes allusions to real persons , living or dead ; real places ; real objects ; real events . As with literary references ...
Richard Hornby. iii Real - life reference is in many ways congruent to literary reference . Real - life reference includes allusions to real persons , living or dead ; real places ; real objects ; real events . As with literary references ...
Seite 100
... reference should not be overlooked . Such reference is probably most important not so much in the literary playtext , but in performance . In fact , if we consider performance as an art form in its own right , rather than just as a ...
... reference should not be overlooked . Such reference is probably most important not so much in the literary playtext , but in performance . In fact , if we consider performance as an art form in its own right , rather than just as a ...
Seite 104
... reference is direct and immediate , a splash of cold water thrown into the face of a dreaming , imagining audience . Self - reference is also literally an example of literary reference , since the play itself is a piece of literature ...
... reference is direct and immediate , a splash of cold water thrown into the face of a dreaming , imagining audience . Self - reference is also literally an example of literary reference , since the play itself is a piece of literature ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York