Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 19
... reflects primarily inward , and secondarily outward , to the unstated but crucial conventions of the theatre . The major ... reflect life ultimately , but only on a very general level — the seasons , the rhythms of birth , growth ...
... reflects primarily inward , and secondarily outward , to the unstated but crucial conventions of the theatre . The major ... reflect life ultimately , but only on a very general level — the seasons , the rhythms of birth , growth ...
Seite 20
... reflect other characters , scenes reflect other scenes , verbal images reflect other verbal images , and so on , generating the motifs that hold the play together . The playwright , as he composes his play , is unconcerned with external ...
... reflect other characters , scenes reflect other scenes , verbal images reflect other verbal images , and so on , generating the motifs that hold the play together . The playwright , as he composes his play , is unconcerned with external ...
Seite 26
... reflect an entirely different type of culture , while these in turn insist on distinctions which are all but unintelligible to us . . . . It would be difficult in some languages , for instance , to express the distinction which we feel ...
... reflect an entirely different type of culture , while these in turn insist on distinctions which are all but unintelligible to us . . . . It would be difficult in some languages , for instance , to express the distinction which we feel ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York