Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 59
... result of the principle of restraint ; originally intended as prohibition , against showing violence onstage ( which would either look foolish because of obvious unreality of the depiction , or vulgar if the illusion were successful ) ...
... result of the principle of restraint ; originally intended as prohibition , against showing violence onstage ( which would either look foolish because of obvious unreality of the depiction , or vulgar if the illusion were successful ) ...
Seite 69
... result of various exigencies . It must make the strongest impression on him that many sources of excitation , which later on he will recognize as his own bodily organs , can provide him at any time with sensations , whereas others ...
... result of various exigencies . It must make the strongest impression on him that many sources of excitation , which later on he will recognize as his own bodily organs , can provide him at any time with sensations , whereas others ...
Seite 134
... result of their own arrogance and selfishness . Orsino in Twelfth Night dotes on Olivia not for what she is , but because of his own obsessiveness about love . Malvolio mistaking the letter in the same play is an example of perfectly ...
... result of their own arrogance and selfishness . Orsino in Twelfth Night dotes on Olivia not for what she is , but because of his own obsessiveness about love . Malvolio mistaking the letter in the same play is an example of perfectly ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York