Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 49
... rituals , even though it is hard to identify it with any particular one . Similarly , much has been written about the supposed ritual origins of theatre , which are assumed to continue , in vestigial form , in all drama . All plays turn ...
... rituals , even though it is hard to identify it with any particular one . Similarly , much has been written about the supposed ritual origins of theatre , which are assumed to continue , in vestigial form , in all drama . All plays turn ...
Seite 50
... ritual has perhaps obscured the importance of rituals in drama that are not shadowy and ancient , but overt and contemporary , as an important part of the drama / culture complex . Structuralists have applied the term " genetic fallacy ...
... ritual has perhaps obscured the importance of rituals in drama that are not shadowy and ancient , but overt and contemporary , as an important part of the drama / culture complex . Structuralists have applied the term " genetic fallacy ...
Seite 62
... rituals wholesale from other cultures , as when Richard Schechner inserted a New Guinean birth ritual into a production based on Euripides ' The Bacchae . As in the theatre of the absurd plays , however , the effects of such concocted ...
... rituals wholesale from other cultures , as when Richard Schechner inserted a New Guinean birth ritual into a production based on Euripides ' The Bacchae . As in the theatre of the absurd plays , however , the effects of such concocted ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York