Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
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Seite 74
... character is consciously , wittingly feigning creates a distinct uneasiness about role generally , especially since we cannot help but remember that the character himself is being feigned by an actor . Voluntary role playing within the role ...
... character is consciously , wittingly feigning creates a distinct uneasiness about role generally , especially since we cannot help but remember that the character himself is being feigned by an actor . Voluntary role playing within the role ...
Seite 77
Richard Hornby. and eiron types of role players are stock figures in all comedy subsequent to Aristophanes . Terence's The Eunuch provides a good example in Roman comedy , since it is the source of ... Role Playing within the Role 77.
Richard Hornby. and eiron types of role players are stock figures in all comedy subsequent to Aristophanes . Terence's The Eunuch provides a good example in Roman comedy , since it is the source of ... Role Playing within the Role 77.
Seite 83
... role that he had enabled her to play . Eliza reaches the point where she has no " role " separate from her self ; like Galy Gay , she is transformed , rather than merely having a new layer added to her ... Role Playing within the Role 83.
... role that he had enabled her to play . Eliza reaches the point where she has no " role " separate from her self ; like Galy Gay , she is transformed , rather than merely having a new layer added to her ... Role Playing within the Role 83.
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York