Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 142
... scene 2 , she chides Touchstone for mocking Orlando's verses ; bad though they may be , she is moved by them , and rejects Touchstone's cheap sarcasm . Later , in the " say a day without the ever " scene with Orlando just quoted ( 4.1 ) ...
... scene 2 , she chides Touchstone for mocking Orlando's verses ; bad though they may be , she is moved by them , and rejects Touchstone's cheap sarcasm . Later , in the " say a day without the ever " scene with Orlando just quoted ( 4.1 ) ...
Seite 149
... scene shifts . Indeed , many of the shifts would have lasted longer than the scenes themselves . But then , again ... scene of Woyzeck shaving the Captain , which seemed , for purely intuitive reasons at first , to be a better beginning ...
... scene shifts . Indeed , many of the shifts would have lasted longer than the scenes themselves . But then , again ... scene of Woyzeck shaving the Captain , which seemed , for purely intuitive reasons at first , to be a better beginning ...
Seite 156
... scenes , the actors did not go anywhere , but simply stayed in the room , sometimes continuing to behave in character , and sometimes watching the next scene . To the paradoxes on the list , then , could be added those of performance ...
... scenes , the actors did not go anywhere , but simply stayed in the room , sometimes continuing to behave in character , and sometimes watching the next scene . To the paradoxes on the list , then , could be added those of performance ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York