Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 13
... seen in such stripped down systems as Morse Code or computer languages , in which everything can be conveyed through a pattern of dots and dashes , or the binary digits 0 and 1 . The problem , however , is that while we easily recognize ...
... seen in such stripped down systems as Morse Code or computer languages , in which everything can be conveyed through a pattern of dots and dashes , or the binary digits 0 and 1 . The problem , however , is that while we easily recognize ...
Seite 22
... seen as as intellectual curiosity only , a self - contained system that was as intellectually rigorous as traditional Euclidean geometry , but which of course did not “ fit ” real space as did Euclidean geometry . Later , Einstein ...
... seen as as intellectual curiosity only , a self - contained system that was as intellectually rigorous as traditional Euclidean geometry , but which of course did not “ fit ” real space as did Euclidean geometry . Later , Einstein ...
Seite 25
... seen as merely reflecting reality in a point - blank manner . The ingenuousness of this theory is the same as that of the traditional , naive view of language , which was also seen as merely describing reality in a simple , one - to ...
... seen as merely reflecting reality in a point - blank manner . The ingenuousness of this theory is the same as that of the traditional , naive view of language , which was also seen as merely describing reality in a simple , one - to ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York