Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 19
Seite 104
... self - reference is direct and immediate , a splash of cold water thrown into the face of a dreaming , imagining audience . Self - reference is also literally an example of literary reference , since the play itself is a piece of ...
... self - reference is direct and immediate , a splash of cold water thrown into the face of a dreaming , imagining audience . Self - reference is also literally an example of literary reference , since the play itself is a piece of ...
Seite 116
... self undergoes a contraction when self - reference occurs in a play , the world of dramatic illusion undergoes a displacement . The field of thought remains the same , as does the boundary between foreground ( the dramatic illusion ) ...
... self undergoes a contraction when self - reference occurs in a play , the world of dramatic illusion undergoes a displacement . The field of thought remains the same , as does the boundary between foreground ( the dramatic illusion ) ...
Seite 117
... reference to the background of dramatic conventions that the audience had come to the theatre expecting to see and hear . Handke is operating within the moralistic tradition of Brecht , using theatre to teach a moral ... Self - Reference 117.
... reference to the background of dramatic conventions that the audience had come to the theatre expecting to see and hear . Handke is operating within the moralistic tradition of Brecht , using theatre to teach a moral ... Self - Reference 117.
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York