Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 22
... sense of merely reflecting it , but in the active sense of providing a “ vocabulary " for describing it , or a " geometry " for measuring it . , A mathematical sysem , though self - contained , and part of a system of defini- tions ...
... sense of merely reflecting it , but in the active sense of providing a “ vocabulary " for describing it , or a " geometry " for measuring it . , A mathematical sysem , though self - contained , and part of a system of defini- tions ...
Seite 55
... sense of uneasiness in the audience . But , as with the play within the play , the ceremony within the play is metadramatic in the sense of examining a cultural phenomenon that is closely related to theatre via the medium of performance ...
... sense of uneasiness in the audience . But , as with the play within the play , the ceremony within the play is metadramatic in the sense of examining a cultural phenomenon that is closely related to theatre via the medium of performance ...
Seite 72
... sense of identity feels so perilously weak that they find it threatening to take on another . Successful actors , on the other hand , typically have a strong sense of identity , which is why they can safely put it aside for a while ...
... sense of identity feels so perilously weak that they find it threatening to take on another . Successful actors , on the other hand , typically have a strong sense of identity , which is why they can safely put it aside for a while ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York