Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 14
... simply reversed . We should thus be careful never to accept such parallelings of polarities without question . The realistic / antirealistic polarity in dramatic theory may at last be dying out , as new theories from structuralism and ...
... simply reversed . We should thus be careful never to accept such parallelings of polarities without question . The realistic / antirealistic polarity in dramatic theory may at last be dying out , as new theories from structuralism and ...
Seite 45
... simply reject the overt messages as wrong . Theatre works in subtler ways , at a deeper level . By forcing audiences to reexamine famous plays , one is making them reexamine not political issues themselves , but the way in which they ...
... simply reject the overt messages as wrong . Theatre works in subtler ways , at a deeper level . By forcing audiences to reexamine famous plays , one is making them reexamine not political issues themselves , but the way in which they ...
Seite 149
... simply have intended to flesh out the scenes later . What we have may be only an extended outline . The usual approach to producing Woyzeck is to construct — one cannot even say reconstruct - what the playscript might have been if ...
... simply have intended to flesh out the scenes later . What we have may be only an extended outline . The usual approach to producing Woyzeck is to construct — one cannot even say reconstruct - what the playscript might have been if ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York