Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 25
... society because of the rapid way our society has changed . Primitive societies , which are relatively static , do not have an artistic avant - garde . The primitive artist's function is conservative , to reaffirm the cultural order . In ...
... society because of the rapid way our society has changed . Primitive societies , which are relatively static , do not have an artistic avant - garde . The primitive artist's function is conservative , to reaffirm the cultural order . In ...
Seite 55
... societies , on the other hand , ritual often becomes theatre , as probably really did happen with the ancient Greeks or ... society , includes almost all of them ) , theatre is a means for examining ceremony , and thus for questioning ...
... societies , on the other hand , ritual often becomes theatre , as probably really did happen with the ancient Greeks or ... society , includes almost all of them ) , theatre is a means for examining ceremony , and thus for questioning ...
Seite 71
... societies themselves change the grounds for role playing from time to time , as seen in our society today , in which the feminist movement is changing the way we define masculine and feminine behavior . Thus all societies have identity ...
... societies themselves change the grounds for role playing from time to time , as seen in our society today , in which the feminist movement is changing the way we define masculine and feminine behavior . Thus all societies have identity ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York