Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 16
... speech to the players , in which he advises them " to hold . . . the mirror up to nature " ( 3.2.20-21 ) , * familiar yet perplexing . Holding the mirror up to nature sounds Stanislavskian , yet the dramatic speeches that the players ...
... speech to the players , in which he advises them " to hold . . . the mirror up to nature " ( 3.2.20-21 ) , * familiar yet perplexing . Holding the mirror up to nature sounds Stanislavskian , yet the dramatic speeches that the players ...
Seite 118
... speech implies that it is delivered to someone sitting in judgment — like the audience . 2. Ibsen , 165 . 3. Susanne K. Langer , Feeling and Form ( New York : Scribners , 1953 ) , 77. Original italics . 4. Ibid . , 215 , 307 , 258–279 ...
... speech implies that it is delivered to someone sitting in judgment — like the audience . 2. Ibsen , 165 . 3. Susanne K. Langer , Feeling and Form ( New York : Scribners , 1953 ) , 77. Original italics . 4. Ibid . , 215 , 307 , 258–279 ...
Seite 152
... speeches are characterized by fragmentation , parataxis , and non sequitur . Just memorizing a speech like the following could be a maddening process : I'm going . Anything's possible . The bitch ! Anything's possible . - The weather's ...
... speeches are characterized by fragmentation , parataxis , and non sequitur . Just memorizing a speech like the following could be a maddening process : I'm going . Anything's possible . The bitch ! Anything's possible . - The weather's ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York