Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 39
... stage . In fact , such interludes are really examples of the ceremonial within the play , which has less metadramatic impact than an inner performance that is truly a play . The Italian neoclassical stage , and the English Restoration ...
... stage . In fact , such interludes are really examples of the ceremonial within the play , which has less metadramatic impact than an inner performance that is truly a play . The Italian neoclassical stage , and the English Restoration ...
Seite 112
... stage . The " bracketing " effect of the stage should not be interpreted in crude terms , with the play providing only direct sensual stimulation . Indeed , direct stimulation tends to destroy the dramatic illusion ; nudity on stage ...
... stage . The " bracketing " effect of the stage should not be interpreted in crude terms , with the play providing only direct sensual stimulation . Indeed , direct stimulation tends to destroy the dramatic illusion ; nudity on stage ...
Seite 149
... stage that were uni- versally employed in 1837 , the year of the playscript's composition , it is hard to imagine a ... stage modeled on the wonderful one at Stratford , Ontario , but debilitated by several bad compromises , such as the ...
... stage that were uni- versally employed in 1837 , the year of the playscript's composition , it is hard to imagine a ... stage modeled on the wonderful one at Stratford , Ontario , but debilitated by several bad compromises , such as the ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York